The classic description is that of William Wordsworth as he recounted climbing the Alps and crossing the Simplon Pass in his autobiographical poem “The Prelude.” There, surrounded by crags and waterfalls, the poet felt himself literally to be in the presence of the divine—and experienced an emotion remarkably close to terror: The immeasurable height future. See Richard White, ”’Are You an Environmentalist or Do You Work for a Living?’: Work and Nature,” in Cronon, Uncommon Ground, pp. It means the deep reflection and respect must accompany each act of use, and means too that we must always consider the possibility of non-use. : The Contested Moral Terrain of Ancient Forests,” in Cronon, Uncommon Ground, pp. Any way of looking at nature that encourages us to believe we are separate from nature—as wilderness tends to do—is likely to reinforce environmentally irresponsible behavior. 20. It was vast, Titanic, and such as man never inhabits. © 2021 Green Beans, Big Dreams. Of the two, the sublime is the older and more pervasive cultural construct, being one of the most important expressions of that broad transatlantic movement we today label as romanticism; the frontier is more peculiarly American, though it too had its European antecedents and parallels. See Olwig, “Reinventing Common Nature: Yosemite and Mount Rushmore—A Meandering Tale of a Double Nature,” Uncommon Ground: Toward Reinventing Nature, ed. Many environmentalists who reject traditional notions of the Godhead and who regard themselves as agnostics or even atheists nonetheless express feelings tantamount to religious awe when in the presence of wilderness—a fact that testifies to the success of the romantic project. What I celebrate about such places is not just their wildness, though that certainly is among their most important qualities; what I celebrate even more is that they remind us of the wildness in our own backyards, of the nature that is all around us if only we have eyes to see it. If the frontier was passing, then men who had the means to do so should preserve for themselves some remnant of its wild landscape so that they might enjoy the regeneration and renewal that came from sleeping under the stars, participating in blood sports, and living off the land. Foreman, Confessions of an Eco-Warrior, p. 65. For the early romantic writers and artists who first began to celebrate it, the sublime was far from being a pleasurable experience. If the core problem of wilderness is that it distances us too much from the very things it teaches us to value, then the question we must ask is what it can tell us about home, the place where we actually live. 40. As Henry David Thoreau once famously declared, “In Wildness is the preservation of the World.” (1). Wilderness was a term that had a negative connotation of… For this reason, we mistake ourselves when we suppose that wilderness can be the solution to our culture’s problematic relationships with the nonhuman world, for wilderness is itself no small part of the problem. When Gallien drops McCandless off, there is about a foot and a half of snow on the ground, and the high temperature is in the low thirties. “Their arguments,” he wrote, “are curiously like those of the devil, devised for the destruction of the first garden—so much of the very best Eden fruit going to waste; so much of the best Tuolumne water and Tuolumne scenery going to waste.” (10) For Muir and the growing number of Americans who shared his views, Satan’s home had become God’s Own Temple. Henry David Thoreau, The Maine Woods (1864), in Henry David Thoreau (New York: Library of America, 1985), pp. William Cronon really emphasizes for Americans that wilderness is really not what comes to the eye, but it is far deeper than that. ), 5103 Humanities Building In an irony that plays out to this day, racism didn’t manifest only when white people wanted to subdue the wild, but also when they sought to conserve it. The trouble with wilderness displays a more complex perspective of nature than that of Price. meets death, he faces it as he has faced many other evils, with quiet, Owen Wister looked at the post-frontier “transition” that had followed “the horseman of the plains,” and did not like what he saw: “a shapeless state, a condition of men and manners as unlovely as is that moment in the year when winter is gone and spring not come, and the face of Nature is ugly.” (22) In the eyes of writers who shared Wister’s distaste for modernity, civilization contaminated its inhabitants and absorbed them into the faceless, collective, contemptible life of the crowd. Thus the decades following the Civil War saw more and more of the nation’s wealthiest citizens seeking out wilderness for themselves. Wister’s contemptuous remarks about Wall Street and Newport suggest what he and many others of his generation believed—that the comforts and seductions of civilized life were especially insidious for men, who all too easily became emasculated by the feminizing tendencies of civilization. movement of limbs is pleasure, while the body seems to feel beauty when To the extent that we celebrate wilderness as the measure with which we judge civilization, we reproduce the dualism that sets humanity and nature at opposite poles. Cronon opens with the first chapter titled "The Trouble with Wilderness; or, Getting Back to the Wrong Nature" in which he argues that a duality has emerged between mankind and nature. In forcing us to acknowledge that they are not of our making, that they have little or no need of our continued existence, they recall for us a creation far greater than our own. The stationary blasts of waterfalls, But the trouble with wilderness is that it quietly expresses and reproduces the very values its devotees seek to reject. Within Price's writing the main idea is focus around finding different ways to identify nature. Gary Snyder, quoted in New York Times, “Week in Review,” 18 September 1994, p. 6. Wilderness In the book, A Sand County Almanac: With essays on conservation from Round River, I had to read parts 3 and 4. As more and more tourists sought out the wilderness as a spectacle to be looked at and enjoyed for its great beauty, the sublime in effect became domesticated. (Please do not reprint without permission; links to this website are fine. See also Dave Foreman and Howie Wolke, The Big Outside: A Descriptive Inventory of the Big Wilderness Areas of the U.S. (Tucson, Arizona: Ned Ludd Books, 1989). To gain such remarkable influence, the concept of wilderness had to become loaded with some of the deepest core values of the culture that created and idealized it: it had to become sacred. What are the consequences of a wilderness ideology that devalues productive labor and the very concrete knowledge that comes from working the land with one’s own hands? How does it help to “save the trees” in our own backyard, when it means that more will be chopped down somewhere else, transported, and brought back to us to use? It means looking at the part of nature we intend to turn toward our own ends and asking whether we can use it again and again and again—sustainably—without its being diminished in the process. (27) The ease with which anti-environmental forces like the wise-use movement have attacked such single-species preservation efforts suggests the vulnerability of strategies like these. Merritt Y. Hughes (New York: Odyssey Press, 1957), pp. thee here, but forever relentlessly drive thee hence to where I am kind. In The Trouble with Wilderness; or, Getting Back to the Wrong Nature, William Cronon really makes us rethink about the Wilderness. Nothing could be more misleading. See James Proctor, “Whose Nature? We are the most dangerous species of life on the planet, and every other species, even the earth itself, has cause to fear our power to exterminate. (17). It is no accident that the movement to set aside national parks and wilderness areas began to gain real momentum at precisely the time that laments about the passing frontier reached their peak. Wilderness, in short, was a place to which one came only against one’s will, and always in fear and trembling. Wilderness also lies at the foundation of the Clementsian ecological concept of the climax. In the broadest sense, wilderness teaches us to ask whether the Other must always bend to our will, and, if not, under what circumstances it should be allowed to flourish without our intervention. 5 notes. No mere mortal was meant to linger long in such a place, so it was with considerable relief that Wordsworth and his companion made their way back down from the peaks to the sheltering valleys. This possibility had been present in wilderness even in the days when it had been a place of spiritual danger and moral temptation. 23-56. Madison , WI 53706 In its flight from history, in its siren song of escape, in its reproduction of the dangerous dualism that sets human beings outside of nature—in all of these ways, wilderness poses a serious threat to responsible environmentalism at the end of the twentieth century. By the first decade of the twentieth century, in the single most famous episode in American conservation history, a national debate had exploded over whether the city of San Francisco should be permitted to augment its water supply by damming the Tuolumne River in Hetch Hetchy valley, well within the boundaries of Yosemite National Park. 14. I think of a November evening long ago when I found myself on a Wisconsin hilltop in rain and dense fog, only to have the setting sun break through the clouds to cast an otherworldly golden light on the misty farms and woodlands below, a scene so unexpected and joyous that I lingered past dusk so as not to miss any part of the gift that had come my way. At its worst, as environmentalists are beginning to realize, exporting American notions of wilderness in this way can become an unthinking and self-defeating form of cultural imperialism. And yet radical environmentalists and deep ecologists all too frequently come close to accepting this premise as a first principle. Press, ig8o). 9. Among the most important studies are Samuel Monk, The Sublime: A Study of Critical Theories in XVIII-Century England (New York: Modern Language Association, 1935); Basil Willey, The Eighteenth-Century Background: Studies on the Idea of Nature in the Thought of the Period (London, England: Chattus and Windus, 1949); Marjorie Hope Nicolson, Mountain Gloom and Mountain Glory: The Development of the Aesthetics of the Infinite (Ithaca, New York: Cornell Univ. Audiobook version of 'The Trouble with Wilderness; or, Getting Back to the Wrong Nature' by William Cronon. William Wordsworth, “The Prelude,” bk. This would seem to exclude from the radical environmentalist agenda problems of occupational health and safety in industrial settings, problems of toxic waste exposure on “unnatural” urban and agricultural sites, problems of poor children poisoned by lead exposure in the inner city, problems of famine and poverty and human suffering in the “overpopulated” places of the earth—problems, in short, of environmental justice. We had no concept of “wilderness” because everything was wilderness and we were a part of it. (37) All of these questions imply conflicts among different groups of people, conflicts that are obscured behind the deceptive clarity of “human” vs. “nonhuman.” If in answering these knotty questions we resort to so simplistic an opposition, we are almost certain to ignore the very subtleties and complexities we need to understand. 18. The wilderness was where Moses had wandered with his people for forty years, and where they had nearly abandoned their God to worship a golden idol. This argument has been powerfully made by Ramachandra Cuba, “Radical American Environmentalism: A Third World Critique,” Environmental Ethics 11 (1989): 71-83. Hard and dangerous though 2000 the 1964 Wilderness Act (Brunson 1995). 26. The wastelands that had once seemed worthless had for some people come to seem almost beyond price. Wilderness used to have a negative meaning in society. 25. Without our quite realizing it, wilderness tends to privilege some parts of nature at the expense of others. On the other hand, I also think it no less crucial for us to recognize and honor nonhuman nature as a world we did not create, a world with its own independent, nonhuman reasons for being as it is. It is the place for which we take responsibility, the place we try to sustain so we can pass on what is best in it (and in ourselves) to our children. University of Wisconsin-Madison I cannot pity nor fondle The torrents shooting from the clear blue sky, Why are the trees dying? The ease with which Muir celebrated the gentle divinity of the Sierra Nevada had much to do with the pastoral qualities of the landscape he described. exposed to it as it feels the campfire or sunshine, entering not by the 39. (11) In the theories of Edmund Burke, Immanuel Kant, William Gilpin, and others, sublime landscapes were those rare places on earth where one had more chance than elsewhere to glimpse the face of God. Wilderness is the place where, symbolically at least, we try to withhold our power to dominate. (Cronan 1)” The wilderness was a place for abandoning responsibilities and making way for a new life away from civilization. Black drizzling crags that spake by the way-side Perhaps partly because our own conflicts over such places and organisms have become so messy, the convergence of wilderness values with concerns about biological diversity and endangered species has helped produce a deep fascination for remote ecosystems, where it is easier to imagine that nature might somehow be “left alone” to flourish by its own pristine devices. This in turn tempts one to ignore crucial differences among humans and the complex cultural and historical reasons why different peoples may feel very differently about the meaning of wilderness. (Lincoln: Univ. Compare its analysis of environmental knowledge through work with Jennifer Price’s analysis of environmental knowledge through consumption. In just this way, wilderness came to embody the national frontier myth, standing for the wild freedom of America’s past and seeming to represent a highly attractive natural alternative to the ugly artificiality of modern civilization. 1-22; and Max Oelsehlaeger, The Idea of Wilderness: From Prehistory to the Age of Ecology (New Haven, Connecticut: Yale Univ. Bill McKibben, The End of Nature (New York: Random House, 1989). Of first, and last, and midst, and without end. 41. From such a starting place, it is hard not to reach the conclusion that the only way human beings can hope to live naturally on earth is to follow the hunter-gatherers back into a wilderness Eden and abandon virtually everything that civilization has given us. For most of us, though, such a debacle would be cause for regret, a sign that humanity had failed to fulfill its own promise and failed to honor its own highest values—including those of the deep ecologists. Even as the fight was being lost, Hetch Hetchy became the baffle cry of an emerging movement to preserve wilderness. Only people whose relation to the land was already alienated could hold up wilderness as a model for human life in nature, for the romantic ideology of wilderness leaves precisely nowhere for human beings actually to make their living from the land. The elite looking to escape the troubles of their hectic daily lives, but in the process the slowly converted it to the place… By teaching us to fetishize sublime places and wide open country, these peculiarly American ways of thinking about wilderness encourage us to adopt too high a standard for what counts as “natural.” If it isn’t hundreds of square miles big, if it doesn’t give us God’s eye views or grand vistas, if it doesn’t permit us the illusion that we are alone on the planet, then it really isn’t natural. But if we acknowledge the autonomy and otherness of the things and creatures around us—an autonomy our culture has taught us to label with the word “wild”—then we will at least think carefully about the uses to which we put them, and even ask if we should use them at all. How can we take the positive values we associate with wilderness and bring them closer to home? We and our children will henceforth live in a biosphere completely altered by our own activity, a planet in which the human and the natural can no longer be distinguished, because the one has overwhelmed the other. By the eighteenth century this sense of the wilderness as a landscape where the supernatural lay just beneath the surface was expressed in the doctrine of the sublime, a word whose modern usage has been so watered down by commercial hype and tourist advertising that it retains only a dim echo of its former power. “The Trouble with Wilderness; or, Getting Back to the Wrong Nature.” In Uncommon Ground, 69-90. “The Trouble with Wildness” by William Cronon talks about wilderness and what exactly that phrase means.In the article it is said that wilderness is just an invention of man and like the first article I read which focused on nature this one also states that wilderness is a creation of man and that during the 1800s the wilderness was often referred to as a wide … What Wordsworth described was nothing less than a religious experience, akin to that of the Old Testament prophets as they conversed with their wrathful God. The two converged to remake wilderness in their own image, freighting it with moral values and cultural symbols that it carries to this day. “In Wilderness is the preservation of the World.”, I believe William… Copyright © 1995 by William Cronon. 71-91, and in the wonderful collection of essays by Michael Pollan, Second Nature: A Gardener’s Education (New York: Atlantic Monthly Press, 1991). Among the core elements of the frontier myth was the powerful sense among certain groups of Americans that wilderness was the last bastion of rugged individualism. The flight from history that is very nearly the core of wilderness represents the false hope of an escape from responsibility, the illusion that we can somehow wipe clean the slate of our past and return to the tabula rasa that supposedly existed before we began to leave our marks on the world. It is not a pristine sanctuary where the last remnant of an untouched, endangered, but still transcendent nature can for at least a little while longer be encountered without the contaminating taint of civilization. John Muir, The Yosemite (1912), reprinted in John Muir: Eight Wilderness Discovery Books, P. 715. (25). One by one, various corners of the American map came to be designated as sites whose wild beauty was so spectacular that a growing number of citizens had to visit and see them for themselves. Lest you suspect that this view of the sublime was limited to timid Europeans who lacked the American know-how for feeling at home in the wilderness, remember Henry David Thoreau’s 1846 climb of Mount Katahdin, in Maine. If civilization was to be redeemed, it would be by men like the Virginian who could retain their frontier virtues even as they made the transition to post-frontier life. beholder, even some vital part, seems to escape through the loose grating In this view the farm becomes the first and most important battlefield in the long war against wild nature, and all else follows in its wake. The Trouble with Wilderness or, Getting Back to the Wrong Nature William Cronon THE TIME HAS COME TO RETHINK WILDERNESS. To be a wilderness then was to be “deserted,” “savage,” “desolate,” “barren”—in short, a “waste,” the word’s nearest synonym. James T. Boulton (1958; Notre Dame, Indiana: Univ. But the romantic sublime was not the only cultural movement that helped transform wilderness into a sacred American icon during the nineteenth century. (3) “For Pharaoh will say of the Children of Israel,” we read in Exodus, “They are entangled in the land, the wilderness hath shut them in.” (4) The wilderness was where Christ had struggled with the devil and endured his temptations: “And immediately the Spirit driveth him into the wilderness. I have never made this soil for thy feet, this air for This nostalgia for a passing frontier way of life inevitably implied ambivalence, if not downright hostility, toward modernity and all that it represented. It’s too small, too plain, or too crowded to be authentically wild. In effect, romantics like Thoreau joined Moses and the children of Israel in Exodus when “they looked toward the wilderness, and behold, the glory of the Lord appeared in the cloud.” (16). The same is less true in the gardens we plant and tend ourselves: there it is far easier to forget the otherness of the tree. The actual frontier had often been a place of conflict, in which invaders and invaded fought for control of land and resources. 280-81, lines 131-42. The critique of modernity that is one of environmentalism’s most important contributions to the moral and political discourse of our time more often than not appeals, explicitly or implicitly, to wilderness as the standard against which to measure the failings of our human world. For a sampling of other writings by followers of deep ecology and/or Earth First!, see Michael Tobias, ed., Deep Ecology (San Diego, California: Avant Books, 1984); Bill Devall and George Sessions, Deep Ecology: Living as if Nature Mattered (Salt Lake City, Utah: Gibbs Smith, 1985); Michael Tobias, After Eden: History, Ecology, and Conscience (San Diego, California: Avant Books, 1985); Dave Foreman and Bill Haywood, eds., Ecodefense: A Field Guide to Monkey Wrenching, 2nd ed. The place where we are is the place where nature is not. But we are also the only species which, when it chooses to do so, will go to great effort to save what it might destroy. And giddy prospect of the raving stream, (32). Even comparable extinction rates have occurred before, though we surely would not want to emulate the Cretaceous-Tertiary boundary extinctions as a model for responsible manipulation of the biosphere! The irony, of course, was that in the process wilderness came to reflect the very civilization its devotees sought to escape. The eighteenth century catalog of their locations feels very familiar, for we still see and value landscapes as it taught us to do. 15. Mark 1:12-13, KJV; see also Matthew 4:1-11; Luke 4:1-13, 6. Wilderness fulfills the old romantic project of secularizing Judeo-Christian values so as to make a new cathedral not in some petty human building but in God’s own creation, Nature itself. and pilfers him of some of his divine faculty. (7) In its raw state, it had little or nothing to offer civilized men and women. This will only happen, however, if we abandon the dualism that sees the tree in the garden as artificial—completely fallen and unnatural—and the tree in the wilderness as natural—completely pristine and wild. Now the defenders of Hetch Hetchy attracted widespread national attention by portraying such an act not as improvement or progress but as desecration and vandalism. The task of making a home in nature is what Wendell Berry has called “the forever unfinished lifework of our species.” “The only thing we have to preserve nature with” he writes, “is culture; the only thing we have to preserve wildness with is domesticity.” (42) Calling a place home inevitably means that we will use the nature we find in it, for there can be no escape from manipulating and working and even killing some parts of nature to make our home. In William Cronon, ed., Uncommon Ground: Rethinking the Human Place in Nature, New York: W. W. Norton & Co., 1995, 69-90. “The frontier has gone,” he declared, “and with its going has closed the first period of American history.” (18) Built into the frontier myth from its very beginning was the notion that this crucible of American identity was temporary and would pass away. The sublime wilderness had ceased to be place of satanic temptation and become instead a sacred temple, much as it continues to be for those who love it today. The wilderness dualism tends to cast any use as abuse, and thereby denies us a middle ground in which responsible use and non-use might attain some kind of balanced, sustainable relationship. The essays contained in part 4 were,” The Land Ethic,” “Wilderness,” and “Conservation Esthetic.”I am going to be writing about the Wilderness Essay. Oxford English Dictionary, s.v. If one saw the wild lands of the frontier as freer, truer, and more natural than other, more modern places, then one was also inclined to see the cities and factories of urban-industrial civilization as confining, false, and artificial. If you’ve ever read William Cronon’s “The Trouble with Wilderness”, you’ve probably felt a progression of shock, confusion, denial, understanding, guilt, and finally embarrassment as you realized that yes, he’s talking about you… and me… and everyone who calls themselves an “Environmentalist”, particularly in the West. But with irrigation ditches, crop surpluses, and permanent villages, we became apart from the natural world…. The frontier might be gone, but the frontier experience could still be had if only wilderness were preserved. (14). Start studying "The Trouble with Wilderness". We are all part of nature, and we could all do our part if only we stopped trying to preserve “Wilderness” and started to live it. of his ribs as he ascends. This is called Fortress Conservation. of California Press, 196o); Edmund Burke, A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful, ed. Of the same face, blossoms upon one tree; "Forum: The Trouble with Wilderness." Remember the feelings of such moments, and you will know as well as I do that you were in the presence of something irreducibly nonhuman, something profoundly Other than yourself Wilderness is made of that too. In McKibben’s view, nature has died, and we are responsible for killing it. His argument, in short, is that “Wilderness” is a human construct – an idea that can only exist in the context of changing human attitudes and cultural narratives surrounding nature – and that it is this idea of preserving “Wilderness” that shapes the modern Environmentalism effort. 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